Splatter Capital shows how a popular subgenre of cinematic horror has developed a uniquely sensitive perspective on the cycles of capitalism. It argues that the emphatically messy brand of horror mobilized in gore or -splatter- films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed. This book provides an account of that nightmare as told through a combination of economic history and filmic analysis. The story it tells will serve as a source of both theoretical and practical knowledge for surviving the horror movie we collectively inhabit.